I'm a bodyworker, an artist, and a researcher. The work looks different from the outside. Hands on a back, patterns on a page, code in a terminal, a room made quieter. Underneath, it's one practice: listening closely to how systems actually behave.
Nervous systems and neural networks both trace cycles. Rooms and bodies both carry tension you can feel before you can name. Mathematics, massage, and making art all reward the same quality of attention. Moving between them is how I learn.
Some nervous systems notice more: the hum of a room, the way a ceiling presses down or lifts, the difference between being touched and being met. This isn't a problem to fix. It's information worth listening to, and most of my work starts there.